Follow These People on Twitter to Help You Understand the Trump/Russia Connection. It’s a lot, right? It’s a lot. It is a firehose of news. How are we supposed to live our lives, cook a meal, uncrimp our hunched- over necks? Even when I shut my computer, it still flashes its little light in the corner, ready to alert me to the horrors of the world like some kind of pulsing Hellmouth. But one doesn’t want to be uninformed! So here is my solution, sort of, when I can restrain myself from nervously tapping and clicking my phone for new news, kind of like one does with a rosary, if a rosary also had the power to deliver jolts of terrified adrenaline: I head on over to Twitter. But, instead of traveling aimlessly down that endless media highway, absorbing the random thoughts of random people of my totally un- curated Twitter feed and thinking dimly “that’s interesting about how children should be bored in the summer” or “wow, that headline has the suffix ‘according to science,’ so it must be true,” or “I don’t think that’s what treason means,” I’ve made a Twitter list that limits me to legal- and political- media types who seem to actually understand the Trump/Russia/national security issues that are dominating the news. In addition to the accounts that everyone follows—The New York Times, The Washington Post, Maggie Haberman, Preet Bharara, etc.—I glance at this short list a few times a day to keep me up to date. Take a look! NB: This won’t necessarily reduce the amount of time you spend online—these people are prolific tweeters, writers, lawyers, and podcasters, and even just this smallish group could send you down some winding Twitter rabbit holes. Have other suggestions? Leave them in the comments and I’ll adjust my list on Twitter. Benjamin Wittes is the co- founder and editor- in- chief of Lawfare, which is devoted to the discussion of “hard national security choices” (itself worth following: @lawfareblog). He was an editorial writer for the Washington Post for nine years and is now a senior fellow in Governance Studies at the Brookings Institution. His feed serves as both information/entertainment on its own and as an excellent shunt toward other legal tweeters. Chafetz is law professor at Cornell and author of the forthcoming Congress’s Constitution: Legislative Authority and the Separation of Powers. According to Steve Vladeck, the editor- in- chief of Just Security (see below), he’s particularly good on the powers and role of Congress. Abramson is an attorney and professor of English at UNH and is apparently devoting his every waking moment to explaining stuff on Twitter. He has 1. 18. K followers, so I guess a lot of other people need these explanations, too. BibMe Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard.I like his lengthy threads explaining complicated matters in short sentences, because hey—if I had any kind of attention span I wouldn’t be on Twitter in the first place. Here’s the start of an epic thread tweet, this one on criminal versus non- criminal investigations: A site dedicated to law, rights, and national security. Its co- editor- in- chief, @steve_vladeck, a law professor at UT, is also worth following, as are others associated with Just Security, like Ryan Goodman at @rgoodlaw. Vladeck calls Goodman good for “random criminal statutes”). I like Just Security for commentary on international events, especially when my attention is so glued to Washington. Goldsmith is a Harvard Law prof, a senior fellow at the Hoover Institution, and a co- founder of Lawfare. His laconic commentary isn’t especially hilarious, but then, what is hilarious about national security these days? But his annotations on current- events media alert me to what stories aren’t getting enough attention, as well as longer- form commentary for perspective. Finally, a brief shout- out to Matt Tait (@pwnallthethings). Tait writes primarily about cybersecurity, but Benjamin Wittes notes that he also follows Tait for stuff in the legal/political/security area too. And with that, I leave you with this tweet. TARGETEDINDIVIDUALSIRELAND.NET My experiences of being targeted with voice harassment technology called voice to skull technology and by directed energy weapons in. The Human Resource Management Review (HRMR) is a quarterly academic journal devoted to the publication of scholarly conceptual/theoretical articles. Notes. How are we stitched into the film or, in psychoanalytic criticism’s terms, how are we sutured into the text? One of the questions psychoanalytic criticism. [Critical Digital Studies, 2nd Edition] Now available: Hertz & Parikka "Archaeologies of Media Art" in Critical Digital Studies: A Reader (Second Edition), Kroker. Transhumanism (abbreviated as H+ or h+) is an international and intellectual movement that aims to transform the human condition by developing and making widely. Garnet Hertz - conceptlab. Emerging Sites of HCI Innovation: Hackerspaces, Hardware Startups & Incubators (2. Silvia Lindtner, Garnet Hertz & Paul Dourish, CHI 2. In this paper, we discuss how a flourishing scene of "DIY makers" is turning visions of tangible, mobile and ubiquitous computing into products. Drawing on long- term multi- sited ethnographic research and active participation in DIY maker practice, we will provide insights into the social, material, and economic processes that undergird this transition from prototypes to products. The contribution of this paper is three- fold. First, we will show how DIY maker practice is illustrative of a broader "return to" and interest in physical. This has implications for HCI research that. Second, we shed light. We argue that we have to take seriously. Finally, we end with. HCI researchers and designers as. DIY making emerges as a site of HCI innovation. We argue. that HCI is positioned to provide critical reflection, paired. Download the paper: Emerging Sites of HCI Innovation: Hackerspaces, Hardware Startups & Incubators, CHI 2. Zombie Media: Circuit Bending Media Archaeology into an Art Method (2. Garnet Hertz & Jussi Parikka, Leonardo 4. MIT Press)There is always a better camera, laptop, mobile phone on the horizon: new media always becomes old. We approach this phenomenon under the umbrella term of media archaeology and aim to extend the media archaeological interest of knowledge into an art methodology. Hence, media archaeology becomes not only a method for excavation of the repressed, the forgotten, the past, but extends itself into an artistic method close to Do- It- Yourself (DIY) culture, circuit bending, hardware hacking, and other exercises that are closely related to the political economy of information technology, as well as the environment. Media embodies memory, but not only human memory; memory of things, of objects, of chemicals, and circuits that are returned to nature, so to speak, after their cycle. But these can be resurrected. This embodiment of memory in things is what relates media archaeology to an ecosophic enterprise as well.(Download the paper: Zombie Media: Circuit Bending Media Archaeology into an Art Method, Leonardo 4. MB PDF, 2. 01. 2)Five Principles of Zombie Media (2. Garnet Hertz & Jussi Parikka)Zombie media addresses the living deads of media culture. As such, it is clearly related. Bruce Sterling and others: to map. And yet, we want to. A discarded piece of media technology is never just discarded. Asia, markets in Nigeria, and so forth - a whole global political. Media kills nature as they remain as living deads.(Download the exhibition catalog essay: Five Principles of Zombie Media 3. K PDF - or the entire exhibition catalog. De. Funct/Re. Funct Exhibition Catalogue, South Dublin Arts Centre, RUA RED, 1. MB PDF, 2. 01. 1)Arduino Microcontrollers and The Queen's Hamlet: Utilitarian and Hedonized DIY Practices in Contemporary Electronic Culture (2. ACADIA 2. 01. 1)In this talk, I pull together concepts of utility- driven do- it- yourself (DIY) culture and pleasure- oriented DIY practice to investigate a significant trend in contemporary computing culture, the maker movement, typified by an interest in building personalized and handmade electronic devices with sensors, motors and lights, usually controlled by microcontrollers like the Arduino. My argument is that maker culture has been co- opted by consumer hobby culture, but this is not necessarily detrimental because it provides an important outlet for personal exploration, increases an understanding of how electronic media actually works and assists individuals to be actors in a culture that is increasingly complex, technological and digitized.(Download the paper: Arduino Microcontrollers and The Queen's Hamlet: Utilitarian and Hedonized DIY Practices in Contemporary Electronic Culture, 6. KB PDF, 2. 01. 1)Out. Run: Building the Un- Simulation of a Driving Video Game (2. A description of building the Out. Run project in Make Magazine for the electronic DIY community.(Download the article: Out. Run: Building the Un- Simulation of a Driving Video Game, 9. KB PDF, 2. 01. 1)The Seamful and Perversive Roles of Artwork in. Interdisciplinary Research (2. Garnet Hertz launches a discussion into the role of artwork. Like many contemporary art projects, these systems are intentionally. This work will be discussed within. Several terms related to design theory. Koren, 1. 99. 4), chindogu. Kawakami, 1. 99. 5), perversiveness (Lozano- Hemmer, 1. Chalmers, 2. 00. 2).(Lecture slides: The Seamful and Perversive Roles of Artwork in. Interdisciplinary Research, 2. Out. Run: Perversive Games and Designing the De- Simulation of Eight- bit Driving (FDG '1. Proceedings of the Fifth International Conference on the Foundations of Digital Games)This paper outlines the development process of a mixed reality video game prototype that combines a classic arcade driving game with a real world vehicle. In this project the user, or player, maneuvers the car- shaped arcade cabinet through actual physical space using a screen as a navigational guide which renders the real world in the style of an 8- bit video game. This case study is presented as a "perversive game": an attempt to disrupt the everyday by highlighting and inverting conventional behavior through humor and paradox.(Download the paper: Out. Run: Perversive Games and Designing the De- Simulation of Eight- bit Driving (or through ACM Digital Library), 3. MB PDF, 2. 01. 0)Art After New Media: Exploring Black Boxes, Tactics and Archaeologies (In press with Leonardo Electronic Almanac, MIT Press)This paper discusses three methodological themes employed by. Methodologies include the exploration of the. Reed Ghazala, the tactical use of technologies to bring social. Natalie Jeremijenko, and the archaeological use. Tom. Jennings. These themes are presented as useful tools to construct a. Gramophones, Films, Typewriters & The Dead Media Handbook: Kittler's paradigm of winners and the secret histories of losers (2. The Dead Media Project is a stockpile of fragmented silences in the archive of media history. This paper begins to tackle this archive, and reveals how The Dead Media Project, as a conceptual theme and distributed research initiative, fits alongside and against contemporary work in media theory and history. Specifically, this paper pushes two works of Friedrich Kittler - Discourse Networks 1. Gramophone, Film, Typewriter - directly into collision with The Dead Media Project. In the process, the debris reveals potential weaknesses in Kittler's texts and hints at how The Dead Media Handbook could be literally constructed. The Commodore 6. 4: Perspectives from Art History, Cultural Anthropology and Film & Media Studies (2. Within this document, I try to look at the Commodore 6. I'm not an expert in. This is partially done to look at the disciplines of Art History, Cultural Anthropology, and Film & Media Studies by trying to get inside of the language and methodologies of each. Hopefully this shows some links to the vintage C6. I conclude the document by trying to figure out what this all means, launching a short critique toward "visual studies" and finish with a thought on the concept of "media archaeology". Remnants of Virtuality: Contemporary Embodiment Beyond Posthumanism (Encountering the Hybrid: Posthumanism, Embodiment and Frissonic Value, Part 1) (2. Although N. Katherine Hayles re- addresses the topic of embodiment within "How We Became Posthuman" her embrace of concrete embodiment is distanced by the influence of virtuality: in particular, a worldview popularized in the 1. Although she mounts a formidable attack against the Moravecian "bodiless exhultation" of human minds being eventually extracted, transported and saved on computer disc, she falls short of envisioning embodiment in its simple, concrete state: it is interpreted through the lens of metaphor. The legacies of virtuality and literature are helpful, of course, to lay foundations for considering embodied reality within the narrative of becoming posthuman. However, if embodiment is the core of our being, as Hayles argues toward, it would be logical to begin from the visceral body; embodied exegesis as opposed to virtual eisegesis.(Slides from related lecture: On Embodiment: Posthumanism, Computationalism and Definitions of Intelligence, 2. Beyond Flickering Signifiers: Frissonic Value and Shifting Boundaries in the Context of Contemporary Hybridity (Encountering the Hybrid: Posthumanism, Embodiment and Frissonic Value, Part 2) (2. In "Virtual Bodies and Flickering Signifiers" N. Katherine Hayles proposes the term flickering signifier to refer to the linguistic and psychodynamic experience of the human confronting the posthuman; the point at which the individual confronts the concept that humanity is no longer the most important figure of the universe - that information, technology and machines are the reference point to which humanity now views its reflection. Hayles' concepts, however, do not delve deeply into the psychodynamic mechanics of the moment of encountering the posthuman, and are significantly influenced by the heritage of the "virtual". In other words, her explanation of flickering signifiers focuses on positioning the concept within the frames of communication theory, literature, informatics and the internet - as opposed to the psychological experience of the individual, and why the symbolic moment creates unexpected metamorphoses, attenuations and dispersions. Hayles is on the right path and lays necessary bridgework for exploring the human/posthuman encounter but does not give voice to the embodied, personal implications of it. As such, this paper: 1. Seeks to clarify the dynamics of the exact point of confrontation of the human with the posthuman 2. Strives to articulate this confrontation beyond the heritage of virtuality, and 3.
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Designer(s)Yukihiro Higashi. Programmer(s)Katsuya Kuramoto. Artist(s)Hideaki Moriya. Yuji Uekawa. Shinji Matsuura. Michikazu Tamamura. Composer(s)Jun Senoue. Series. Sonic the Hedgehog. Platform(s)i. OS, Wii, Play. Station 3, Xbox 3. Windows Phone 7, Microsoft Windows, Android, Black. Berry Play. Book, Ouya. Releasei. OSWii. Play. Station 3. Xbox 3. Windows Phone. Microsoft Windows. Android. Black. Berry Play. Book. Ouya. Genre(s)Platformer. Mode(s)Single- player. Sonic the Hedgehog 4: Episode I[a] is a 2. Sonic the Hedgehog series. The game was developed by Dimps, with assistance from Sonic Team,[7] and published by Sega. The game was intended to emulate the original Sonic the Hedgehog titles on the Sega Genesis. Episode I was released in October 2. OS, Play. Station Network, Wii. Ware and Xbox Live Arcade.[1] A release for Windows Phone 7 followed in June 2. PC (via Steam) and Android in January 2. Black. Berry Play. Book in July 2. 01.
Sonic Heroes (ソニック ヒーローズ Sonikku hīrōzu) is a platform video game in the Sonic the Hedgehog. Ouya in July 2. 01. A direct follow- up, Sonic the Hedgehog 4: Episode II, was released in 2. Sonic Mania is a Retraux successor to the Genesis-era Sonic the Hedgehog titles, re-imagining classic elements and zones along with new, original ones. Sonic the Hedgehog 4: Episode I is a 2010 episodic platform video game in the Sonic the Hedgehog series. The game was developed by Dimps, with assistance from Sonic. Gameplay[edit]. In- game screenshot of the first stage, "Splash Hill Zone"Sonic the Hedgehog 4: Episode I is a 2. Dside- scrolling platformer reminiscent of the original Sonic games for the Sega Mega Drive/Genesis.[8] Players control Sonic the Hedgehog,[9] using mechanics such as the original spin dash and power- ups such as shields, invincibility and speed shoes. Sonic is also able to use a homing attack, which homes in on a targeted enemy or object. Unlike the first three classic Sonic games, after completing the first act, the player is able to freely choose which zone to play via a world map, or choose to play the zones sequentially.[1. Each of the four zones contain three acts, followed by a separate boss battle act, rather than the boss being included at the end of the third act. Each boss act is unlocked by completing all three acts in that zone. The boss battles, similar to the zones themselves, are inspired by the boss battles from older Sonic titles, although there are variations. Once all acts and boss battles within each zone are cleared, players gain access to a fifth and final zone. Special Stages in Episode I, accessed by finishing an act with at least 5. Giant Ring that appears at the end of the stage, are based on the "Special Stages" in the original Sonic the Hedgehog. The player must tilt the playing field in order to navigate Sonic through a maze within a set time limit, collecting rings to open gates and time bonuses along the way, with the goal of each stage being to collect a Chaos Emerald.[1. For the first time since Sonic & Knuckles, Sonic can transform into Super Sonic during regular levels after collecting all the Chaos Emeralds from the Special Stages, and at least 5. The game is playable in up to 1. HD on the Play. Station 3 and Xbox 3. Wii.[1. 3] The mobile versions of the game can be fully controlled with either the accelerometers or virtual buttons on the touchscreen. Certain levels also make specific use of the accelerometers.[1. Players are also able to upload their game information to online leaderboards to compare level completion times and high scores.[8]Sonic the Hedgehog 4: Episode I is set after the events of Sonic & Knuckles (1. With the Death Egg destroyed, Sonic heads off to explore new territories alone.[1. However, antagonist Dr. Eggman has survived their last encounter, and has revisited and improved some of his creations from previous games, attempting to get rid of Sonic as the first part of his new grandiose scheme.[1. Sonic's battle with Eggman culminates with Sonic defeating Eggman in his new base, the E. G. G. Station. If all seven Chaos Emeralds are collected, a brief post- credits cutscene shows a silhouette of Metal Sonic, hinting at the next episode. Development[edit]. Concept art of Motobug, an enemy originally from the first Sonic game. The game's existence was first revealed on Game. Spot on September 9, 2. Project Needlemouse (the name was derived from Mr. Needlemouse, an early prototype of Sonic pitched to Sega by artist Naoto Ohshima). The site published a brief teaser trailer[1. Sega's Ken Balough who acknowledged that "old- school Sonic fans have long asked to see Sonic return to a more 2. D style of gameplay," stating that "Needlemouse is that critical first step that brings Sonic back to his 2. D roots."[8]The decision to create the game using a 2. D graphical style was made after considering older Sonic fans' possible reactions to the game versus those of younger players: “This is sort of recognition that Sonic is a brand that has a wide variety of fans in a wide variety of age groups. We have a fan base that's very young, and they want a little more of a Looney Tunes- ish kind of gameplay .. But we also have an older fan base who liked Sonic as he was in the Genesis days. And if we want to keep that fan base happy, we should provide games that cater to them as well. So it's more of a splitting a little bit of the brand.”— Ken Balough of Sega. On January 1. 1, 2. Sega of America began a "character countdown" on their blog, removing potential playable characters from a list, which by January 1. Sonic as the only playable character. Also revealed was concept art which showcased classic enemies from early Sonic games.[9] On February 2, Sega updated the front page of Sega of America's website with a short flash animation featuring a sample of music from the game, reminiscent of Mega Drive/Genesis sounds.[1. The game's proper title was revealed on February 4, 2. Sonic the Hedgehog 4: Episode I, along with the debut of in- game footage.[1. The game was developed primarily by Dimps, under the direction of Sonic Team. Takashi Iizuka, who has worked on various Sonic games, notably as senior level designer for Sonic 3 & Knuckles, served as the game's producer.[7] Music and sound were composed by Jun Senoue, also a mainstay of the series, and were intended to be reminiscent of classic Genesis titles, via the use of drum samples from the original Sonic and Sonic the Hedgehog 2, and relatively lo- fisynth samples.[1. Not long after Sonic 4 was officially announced, rumors surfaced that the game was available to members of the Xbox 3. Partner. Net. On April 3, Partner. Net was shut down due to the leaks. The leaked footage led to harsh criticism of the game physics and certain level designs.[1. On May 2. 0, 2. 01. Sega announced that Sonic 4 would be available on the App Store for the i. OS, and that the game was to be moved from its original summer 2. Izuka claims that this was because although he planned for all versions to be similar, two levels that worked on i. OS did not work as well for consoles. The i. OS version retains these levels, which utilise accelerometer controls, while new levels were built for the console versions.[2. The announcement of the delay was also accompanied by an interview with Sega's Ken Balough, in which it was explained that Sega had taken note of fan reaction to the game and were incorporating that feedback into the ongoing development. Areas specifically mentioned were a reworking of the "floaty" nature of the gravity and physics, and a redesign of some levels and elements in order to accommodate more of the momentum- driven gameplay style that was a staple of earlier entries in the series.[2. Reception[edit]Sonic the Hedgehog 4: Episode I received generally positive reviews. Aggregating review websites Game. Rankings and Metacritic gave the Wii version 7. Xbox 3. 60 version 7. Play. Station 3 version 7. OS version 7. 4. 2. IGN's Hilary Goldstein gave the game a score of 8. Editor's Choice award, calling it "short but sweet and well worth downloading."[3. Games. Radar's Justin Towell gave it a score of 9/1. Sonic the Hedgehog 4."[3. UP. com's Kat Bailey gave it a B rank, praising the game's speed while criticizing some occasional poor design, such as boss battles and puzzles.[3. Game. Trailers gave it a 7. Sonic fans.[3. 7]Digital Spy gave it three out of five stars, with reviewer Liam Martin answering the question of whether or not it lived up to its hype: "Despite some issues with the size of the game and its difficulty (it's very easy), the answer is yes, but only just."[4. Eurogamer's Ellie Gibson gave it a 9/1. However, Gibson has since retracted that opinion. Talking about the game on Go 8 Bit DLC she admitted to being, "drunk on nostalgia" when reviewing it. Gibson later played the game again for the program, and admitted she was both wrong and that whenever she gives a controversial opinion on a game her critics refer to her ill- judged 9/1. Sonic the Hedgehog 4 in response. She has since apologised for her mistake and said: "I would be very grateful if the internet never mentioned it again. I've said sorry, leave it!"[4. Criticism of the game focused on poor physics and lack of momentum; both aspects were often cited as being inferior to the momentum- based physics from the 1. Genesis games.[2. Speaking with VG2. Sega West CEO Mike Hayes stated that Episode I cleared over one million downloads across all the platforms.[4. I (Japanese: Sonikku za Hejjihoggu Fō: Episōdo Wan)References[edit]^ abcdefghi. Cullen, Johnny (September 2. Sonic 4 dated for October". VG2. 47. Retrieved September 2. Nunneley, Stephany (May 1. Angry Birds and other popular games coming to Windows Phone 7". VG2. 47. Retrieved August 2. Sonic the Hedgehog 4 – EP I on Steam". Steam. Retrieved January 2. Souppouris, Aaron (January 2. Sonic the Hedgehog 4 Episode I now available for Android, ICS users report issues". The Verge. Retrieved October 1. Sonic 4 Episode I: Welcome to Blackberry Playbook!". Sega Blog. July 2. Retrieved July 9, 2. Usher, Anthony (July 9, 2. Sonic spin dashes onto Ouya in Sonic The Hedgehog 4: Episodes I and II". Pocket Gamer. Retrieved October 1. Who's making Sonic 4? Well, since you asked..". Sega Forums. February 2. Retrieved June 3.
MHT Wheels Inc. All wheels (cast or forged) from MHT's family of brands are available in any finish including brushed with transparent tints, from our custom paint facility. Dub Rims and Dub wheels, Spinning rims. Spinners with the unique all-in-one design. Discounted Wheel Warehouse has a vast selection of Dub Spinners to choose from all. Welcome to Waynes Custom Wheels Page. Custom Wheels, Chrome Rims. CLICK on Brand Names to View the Hottest Custom Wheel Fashions.Enclosures and Mechanics. Armeka - transport cases, plastic parts, vibration and shock protection E.Dold & Söhne KG - Industrial enclosures, relay modules, relays. Enjoy rich, clean, full-range sound for movies, TV and music with Polk’s new Dynamic Balance acoustic array (1) 1” high-resolution Terylene tweeter for crystal. Polk Audio released a great line of speakers this year; 8 in all. Dubbed the Signature Series, we got a closer look at their bookshelf (S20), Slim Center Channel (S35. Elevate your home audio experience with bookshelf speakers. Shop Best Buy and get fast, FREE* shipping. at Best Buy Canada. Polk Audio RM6750 5.1 Home Theatre Speaker System - 6 Speakers : Add powerful sound to your home theatre with the Polk Audio RM6750 6-piece speaker system. It's got. Polk Audio RTi12 Why settle for vinyl speakers when you can have the warmth and beauty of real wood at the same price? RTi Series features real wood at vinyl prices. Upgrade your home entertainment experience with Polk Audio outdoor speakers. Polk Audio offers affordable, high-quality outdoor speakers for crisp, clear sound. Bookshelf speakers are an excellent way to fulfill home audio and theater system needs. They can provide high quality audio without taking up lots of precious floor. Buy Polk Audio PSW Series PSW505 12" Powered Subwoofer Single with fast shipping and top-rated customer service.Once you know, you Newegg! Better than Being There. The RTiA9 is a high performance powerhouse and the ultimate manifestation of our RTiA Series. Featuring Dynamic Balance® transducers—three.Polk Signature Series Speakers Preview. Polk Audio released some amazing new products at the CEDIA show at the end of 2. Magnify Mini soundbar system and Signature Series Speakers. We got a chance to get a better look at their Signature Series at the 2. Consumer Electronics Show in Las Vegas, Nevada and were further impressed by what we saw last year at CEDIA. We looked more closely at three of the eight new models that are included in the Signature series. The S2. 0 bookshelf speakers, the S3. S6. 0 tower speakers. The entire series features Hi- Res certification and includes a newly designed Terylene dome tweeter, new Dynamic Balance designed acoustic array, precision cross- overs, an anti- diffraction grille, modern cabinet styling and exclusive Power Port bass enhancing technology. S2. 0 Bookshelf Speaker As with all the Signature series line from Polk Audio, it’s the details that count. The high quality materials used in the manufacture of the S2. The S2. 0 comes with their new 1” Terylene dome tweeter, a mica reinforced polypropylene 6 1/2” woofer, a Powerport bass vent to increase low end sound and anti- diffraction magnetic grilles. These $3. 00/pair bookshelf speakers would be great for a two- channel home office, or add them as rears for your home theater system. S3. 5 Slim Center Channel. Center channels can be one of the most important and much overlooked components of your home theater system. For $3. 00, the S3. Terylene tweeter, and the great construction and design components of the other Signature Series speakers. The S3. 5 also features a slim 4" tall profile that should easily fits spaces other center channels might not. We really liked that these can also be used as a left or right channel when wall mounted vertically. For this price and the Polk name, the Polk Audio S3. S6. 0 Tower Speaker“Look at the curves on THAT!” might earn you some looks at CES, but not when you’re talking about the S6. Signature Tower Speakers from Polk Audio. These vivacious 4. Terylene tweeter. For $9. 00 per pair ($4. Hz to 4. 0k. Hz making a subwoofer optional for music listening. The whole line of Signature Speakers from Polk Audio looks like it will make a fantastic setup for any audiophiles listening needs from two- channel to full DTS: X immersive sound home theater room. The lineup also comes with Polk’s 5 year warranty and the Signature Series is currently shipping so check them out today. They look great, have a nice slim- line look for high WAF and they carry the Polk name that is revered by many audiophiles. These are worth a closer look for budget minded audioholics that are especially tight on space. 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Vortal oferujący darmowe programy, spolszczenia, gry, sterowniki, kody do gier, najnowsze artykuły z dziedziny komputerów. Adobe Flash Player 2. ファイル拡張子 ファイルのフルネーム.!ファイル拡張子: Screensaver.!Cファイル拡張子: Graphics Converter Pro.!QBファイル拡張子. HTOFEその他のファイルファイル拡張子ファイルのフルネーム.!ファイル拡張子Screensaver.! Cファイル拡張子Graphics Converter Pro.! QBファイル拡張子QBittorrent Incomplete Download.! UTファイル拡張子UTorrent Incomplete Download.###ファイル拡張子Temporary.#$#ファイル拡張子ULead Photoimpact Temporary.#2. Loco. Script Printer Data.#IBファイル拡張子Loco. Script Printer Data.#SCファイル拡張子Loco. Script Printer Data.#STファイル拡張子Loco. Script Standard Mode Printer Definitions.#VCファイル拡張子Big Fish View. Choice.$ファイル拡張子Visual Basic Symbol.$#!ファイル拡張子AOL 5. Virchk.$$$ファイル拡張子Temporary.$$Aファイル拡張子OS/2.$?ファイル拡張子TR- DOS ZX Spectrum File In HOBETA Format.$ACファイル拡張子$& Sense Data.$Bファイル拡張子TR- DOS Basic File Format.$B5ファイル拡張子Pro. 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